Son of a Parisian banker, Edgar Degas enrolled in law school in 1853 following his father's wishes. But he had already shown an interest in art and had also registered to copy at the Louvre. In 1855 he entered the École des Beaux-Arts and became a student of Louis Lamothe (1822-1869), a former pupil of Ingres (q.v.). One year later Degas made the traditional journey to Italy, remaining there for three years. He visited family members in Naples and Florence and attended life classes at the Villa Medici in Rome. A visit to Normandy in 1861 may have introduced him to the racetrack. In Paris he continued to study at the Louvre, where he met Manet (q.v.) in 1862. Apart from his continuous interest in portraiture and history painting, Degas began to pay attention to subjects of modern life. Between 1865 and 1870, he exhibited at the Salon. At the time of the Franco-Prussian War, he enlisted in the artillery, but because of his poor eyesight he served (with Manet) in the infantry. After the war he traveled first to London and, in 1872-73, visited his uncle and brothers who had a cotton business in New Orleans. Degas participated in the first impressionist exhibition of 1874. He continued to exhibit with these artists until 1886 but never completely considered himself a member of the group, preferring to call himself a realist or naturalist. While many of the impressionists painted en plein air, Degas worked with models in his studio and, later in his career, from his imagination. In addition to painting, he experimented often with monotypes, engraving, pastels, sculpture, and photography. He traveled extensively-London, Naples, Spain, Morocco, and Switzerland-but continued to draw his subject matter from modern-day Paris. Other recurring themes would be the female nude and the ballet dancer. After the impressionist exhibition of 1886, Degas no longer participated in group shows. Instead he sold his works to private dealers such as Durand-Ruel and Ambroise Vollard. In the 1890s he began his own art collection, which, besides many works on paper, included paintings by such artists as Ingres, Cézanne (q.v.), Delacroix (q.v.), Gauguin (q.v.), and van Gogh (q.v.). His own art at the time became characterized by broader strokes of paint, charcoal, and pastel and the use of more vibrant colors, partly because of problems with his vision. His failing eyesight and poor health caused him to abandon his pursuit of art during the last years of his life.
Works
- The Riders
- The Singer in Green
- Giovanna Bellelli
- Head of a Woman
- Mme Jeantaud in an Armchair with Two Dogs
- Study of a Jockey (M. de Broutelles)
- Dancers in the Wings (Danseuses dans la coulisse)
- The Bellelli Sisters (Giovanna and Giuliana Bellelli)
- Landscape
- Dancer Adjusting the Shoulder Strap of Her Bodice
- Houses at the Foot of a Cliff (Saint-Valéry-sur-Somme)
- The Morning Bath
- Jockeys on Horseback before Distant Hills
- Edouard Manet at the Races
- Woman Drying Her Arm
- Breakfast After The Bath
- Ukrainian Dancers
- Achille De Gas in the Uniform of a Cadet
- Two Men
- Place de la Concorde
- View of Saint-Valéry-sur-Somme
- Portrait of Mary Cassatt
- Marguerite, soeur de l'artiste
- Before the Ballet
- Mary Cassatt at the Louvre: The Paintings Gallery
- Horse and Rider
- Study of Hands
- Study for Vieille Italienne(recto); Drapery Study (verso)
- Before the Performance
- The Parade
- At the Cafe des Ambassadeurs (Aux Ambassadeurs)
- Girl in Red
- Double Portrait - The Cousins of the Painter
- Return of the Herd
- Jockey
- Madame Camus at the Piano
- Portrait of Eugène Manet
- Two Women
- Woman with Opera Glasses
- Spanish Dancers and Musicians
- Woman on a Sofa
- Henri Rouart in front of his Factory
- Dancers in the Rehearsal Room with a Double Bass
- Visit to a Museum
- Fin d'arabesque
- At the Milliner
- Cérémonie d'ordination dans la Cathédrale de Lyon
- Mademoiselle Malo
- A Woman Combing Her Hair
- Washerwomen
- Four Jockeys
- Study for "Mme Théodore Gobillard" (née Yves Morisot)
- Portrait of Lorenzo Pagans
- Dancer Fastening the String of Her Tights
- Four Ballerinas on Stage
- Un café, boulevard Montmartre
- Young Woman in Black
- Edgar Degas - Leaving the Bath
- Musicians in the Orchestra (Portrait of Desire Dihau)
- Portraits at the Stock Exchange
- Dancer with bouquet, bowing on stage
- Young Spartan Girls Challenging Boys
- Lady with a Parasol
- The Bath (Le bain)
- Dancers in the Foyer
- The Man with opera hat
- Portrait of Elena Carafa
- Jacques de Nittis as a Child
- Mademoiselle Dihau Playing the Piano
- Woman Seated in an Armchair, Wiping Her Left Armpit
- Rehearsal Before the Ballet
- Studies of Feet [verso]
- Ballet Dancer
- Woman Putting on Her Stockings
- Two Studies of a Jockey
- Fallen Jockey (study for "Scene from the Steeplechase: The Fallen Jockey")
- Dancer at Rest
- Self-Portrait with White Collar
- Dancer Looking at the Sole of Her Right Foot
- Madame Lisle
- Lorenzo Pagans and Auguste de Gas
- Horseman
- At the Races: The Start
- Dancer
- Madame Dietz-Monnin
- Before the Race
- The Ballet Master (Le maître de ballet)
- René de Gas [recto]
- Spanish Dance
- The Ballerina
- Woman Embroidering
- La Savoisienne
- Horse Balking (Horse Clearing an Obstacle)
- Café-Concert
- Dancers at the Barre
- Alfred Niaudet
- Victoria Dubourg
- Study for "Mary Cassatt at the Louvre" [verso]
- Dancers, Pink and Green
- After the Bath, Woman Drying Herself
- Ballet / The Star / Dancer on the Stage, 1876–1877. Dancer: Rosita Mauri."
- Self-Portrait (Edgar Degas, par lui-même)
- Horse with Head Lowered
- Count Lepic and His Daughters
- Female Nude
- Portrait of a Woman in Gray
- Diego Martelli
- A Woman in the Tub
- Cow
- The Dancers
- Female Nude Seated
- Marguerite de Gas (Head)
- Woman Bathing in a Shallow Tub
- Bather Sponging Her Knee
- Study of a Ballet Dancer (recto)
- The Daughter of Jephthah
- The Convalescent
- Study of a Jockey
- Three Jockeys
- Paul Lafond and Alphonse Cherfils Examining a Painting
- Edmondo and Thérèse Morbilli
- Portrait of Léon Bonnat
- Portrait of Diego Martelli
- Joséphine Gaujelin
- Dancers Practicing at the Barre
- The Dance Class
- Dancer Putting on Her Stocking
- Leaving the Bath (La sortie du bain)
- Woman Seated, Wiping Her Left Side
- Woman Brushing Her Hair
- Girl Looking through Field Glasses
- Duchessa di Montejasi with Her Daughters, Elena and Camilla
- Castel Sant' Elmo, from Capodimonte
- Alexander and Bucephalus
- Four dancers
- Swaying Dancer
- Portrait of Mme. Lisle and Mme Loubens
- Two Dancers on a Stage
- Woman with a Bandage
- Study for the painting Petites filles spartiates provoquant des garçons
- Woman drying her left arm
- The Pond in the Forest
- Mr. and Mrs. Édouard Manet
- Portrait of a Young Woman
- Morning Ride
- The Rehearsal
- Marguerite de Gas
- The Ballet Rehearsal
- Beach Scene
- Two Dancers - Yellow and Rose
- Marguerite De Gas, the Artist's Sister (Marguerite De Gas, soeur de l'artiste)
- Memory of Velázquez ("Erinnerung an Velázquez")
- David and Goliath
- Portrait of Henri Michel-Lévy
- Woman Taken Unawares
- Madame Camus
- The Impresario
- Copy after 'The Finding of Moses' by Veronese
- Jeantaud, Linet et Lainé
- Three Dancers Resting
- The Rehearsal Onstage
- Horse Galloping on the Right Foot
- Head of the Fallen Jockey (study for "Scene from the Steeplechase: The Fallen Jockey")
- Horse Galloping, Turning the Head to the Right, the Feet Not Touching the Ground
- Woman in a Ruffled Cap (Dame agée)
- Dancer Posing for a Photographer (Dancer in Front of the Window)
- The Laundresses (Les blanchisseuses (La repassage))
- Les Choristes
- Woman Having Her Hair Combed
- Young Woman in Blue
- Horses in a Meadow
- Study for Mme Théodore Gobillard
- Portrait of the Engraveurs Desboutin and Lepic
- Degas and Évariste de Valernes
- After a Bath. Woman Drying the Back of her Neck.
- Singer with a Glove
- Yellow Dancers (In the Wings)
- Leaving the Bath
- dancer in white
- Dance Rehearsal
- Alice Villette
- Woman by a Fireplace
- Dancer Adjusting Her Dress
- Joseph-Henri Altès (1826–1895)
- At the Races in the Countryside
- Portrait after a Costume Ball (Portrait of Madame Dietz-Monnin)
- Fourth Position Front, on the Left Leg
- Interior
- Ballet Dancers on the Stage
- Thoroughbred Horse Walking, Part of the Neck Missing
- Standing Nude Youth, with right arm raised
- Stefanina Primicile Carafa, Marchioness of Cicerale and Duchess of Montejasi
- Thérèse de Gas
- Standing Female Figure with Bared Torso
- Arabesque over the Right Leg, Left Arm in Front
- The Bow
- In the Tuileries, Woman with a Parasol
- Dancers practicing in the Foyer
- Dancer Seen from Behind and Three Studies of Feet
- Picking Apples (Memorial, or Family Idyll)






