Edward S. Curtis American, 1868 – 1952
Edward Sheriff Curtis, born near White Water, Wisconsin, was a well-established commercial photographer before he undertook his best known work shortly before the turn of the century. Working first as photographer for the Edward H. Harriman expedition in Alaska (1899), he later secured the endorsement of Theodore Roosevelt and the support of J. P. Morgan for an extensive anthropological and photographic study of Native Americans. Curtis's work from 1906 — 20 resulted in The North American Indian and eventually generated 40,000 negatives, of which 1,200 were presented in gravure form in the 20 volumes and 20 accompanying portfolios of his study.
Although his intentions were anthropological and scholarl — to preserve the appearance and customs of a dying race — Curtis nevertheless was affected by the artistic styles of his time. His portraits and tableaux were often strongly pictorialist, as their presentation on imported papers and in rarefied media such as orotone would suggest. His scientific aims were frequently undercut by a personal interpretation of his subjects, to whom he often supplied costumes and props. Time has proved Curtis, in this era of his career, equally an artist and an anthropologist. His later work in Los Angeles, which deserves further study, focused on Hollywood and the world of movies. T.W.F.
Works
- A Corner of Zuni
- Suquamish Girl
- The Bowman
- Sun Dance Encampment-Piegan
- Masked Dancer - Cowichan
- Quniáika - Mohave
- Puget Sound Baskets
- Cowichan Girl
- Fish Shows-Apsaroke
- Kashhila-Wishham
- Wishham Girl, Profile
- On the Shore of the Lake - Kutenai
- Arikara Medicine Ceremony - the Ducks
- Desert Rovers - Apache
- Suquamish Woman
- Luqaíôt - Kittitas
- Two Strike
- Mówakiu-Tsawatenok
- Lummi Type
- Arikara Medicine Ceremony - Dance of the Fraternity
- The Whaler-Clayoquot
- Middle Calf-Piegan
- Wolf - Apsaroke
- Quilcene Boy
- At the Trysting Place
- New Chest-Piegan
- The Seaweed Gatherer
- A Mat House - Skokomish
- Hollow Horn Bear
- Red Whip - Atsina
- Arikara Girl
- Masked Dancers in Canoes-Qagyuhl A
- A Hopi Mother
- Watching the Dancers
- Portfolio III, Plates 76-110, 119, 136
- Portfolio III, Plate 119: In the Bad Lands
- Portfolio VIII, Plate 268: Piópio-Maksmaks, Profile - Wallawalla
- Portfolio IX, Plate 316: Sunset on Puget Sound
- Portfolio XVI, Plate 574: Paguate
- Portfolio XVII, Plate 602: The Potter - Santa Clara
- Portfolio XVII, Plate 607: A Zuñi Governor
- Portfolio XVII, Plate 615: A Corner of Zuñi
- Portfolio VIII, Plate 271: A War Chief - Nez Percé
- Portfolio IX, Plate 320: Lummi Type
- Portfolio IX, Plate 321: Lummi Woman
- Portfolio XII, Plate 406: A Hopi Girl
- Portfolio XVII, Plate 608: A Load of Fuel - Zuñi
- Portfolio XVII, Plate 609: The Terraced Houses of Zuñi
- Portfolio II, Plate 71: Captain Charley - Maricopa
- Portfolio III, Plate 103: Red Cloud-Ogalala
- Portfolio III, Plate 110: The Mountain-Sheep Hunter
- Portfolio VI, Plate 201: Crow Eagle--Piegan
- Portfolio VIII, Plate 267: Piópio-Maksmaks - Wallawalla
- Portfolio II, Plate 75: Getting Water-Havasupai
- Portfolio IV, Plate 141: Apsaroke Medicine Tipi
- Portfolio VI, Plate 194: Gambler--Piegan
- Portfolio VI, Plate 203: Weasel Tail - Piegan
- Portfolio VI, Plate 206: Iron Breast - Piegan
- Portfolio VIII, Plate 263: Nez Percé Brave
- Portfolio XII, Plate 400(b)- 435
- Portfolio XII, Plate 429: A Walpi Snake Priest
- Portfolio XVII, Plate 596: Ambrosio Martínez - San Juan
- Portfolio XVII, Plate 601: Oyí-tsa ("Duck White"), Summer Cacique of Santa Clara
- Portfolio XVII, Plate 614: A Zuñi Woman
- Portfolio I, Plate 16: Eskadi-Apache
- Portfolio II, Plate 58: Mohave Water Carrier
- Portfolio I, Plate 35: Hastobíga-Navaho Medicine-Man
- Portfolio I, Plate 36: A Point of Interest-Navaho
- Portfolio I, Plate 37: Out of the Darkness-Navaho
- Portfolio I, Plate 39: Alhkidókihi-Navaho
- Portfolio IV, Plate 137: The Chief and His Staff--Apsaroke
- Portfolio VI, Plate 202: Middle Calf - Piegan
- Portfolio VI, Plate 205: Bringing the Sweat-Lodge Willows - Piegan
- Portfolio VIII, Plate 256: Chief Joseph - Nez Percé
- Portfolio IX, Plate 312: Evening on Puget Sound
- Portfolio IX, Plate 317: The Clam Digger
- Portfolio IX, Plate 319: Snoqualmu Type
- Portfolio XII, Plate 430: Snake Dancer in Costume
- Portfolio XVII, Plate 583: On the Rio Grande - San Ildefonso
- Portfolio XVII, Plate 588: Tablita Dancers and Singers - San Ildefonso
- Portfolio XVI, Plate 548: A Taos Woman
- Portfolio XVII, Plate 582: Okúwa-tse ("Cloud Yellow") - San Ildefonso
- Portfolio III, Plate 80: An Oasis on the Bad Lands
- Portfolio IV, Plate 140: A Mountain Fastness--Apsaroke
- Portfolio VI, Plate 193: Travaux--Piegan
- Portfolio VI, Plate 209: The Three Chiefs - Piegan
- Portfolio IX, Plate 314: Princess Angeline
- Portfolio XVI, Plate 544: Taos Water Girls
- Portfolio XVI, Plate 565: A Feast Day at Acoma
- Portfolio I, Plate 25: Jicarilla Women
- Portfolio III, Plate 79: Sioux Chiefs
- Portfolio VI, Plates 184- 219
- Portfolio VIII, Plate 265: Black Eagle - Nez Percé
- Portfolio VIII, Plate 266: Nez Percé Babe
- Portfolio XVII, Plate 597: San Juan Pottery
- Portfolio XVII, Plate 613: A Zuñi Girl
- Portfolio I, Plate 1: The Vanishing Race-Navajo
- Portfolio IV, Plates 111-118, 120-149
- Portfolio IV, Plate 147: Apsaroke War Group
- Portfolio I, Plate 30: At the Shrine-Navaho
- Portfolio I, Plate 33: Navaho Flocks
- Portfolio IV, Plate 138: A Successful Raid for Horses--Apsaroke
- Portfolio VI, Plate 219: Little Wolf
- Portfolio VI, Plate 191: Double Runner--Piegan
- Portfolio IX, Plate 318: Homeward
- Portfolio XVI, Plate 564: Acoma Belfry
- Portfolio XVI, Plate 573: Acoma Water Girls
- Portfolio XVII, Plate 603: Pottery Burners at Santa Clara
- Portfolio XVI, Plate 569: At the Gateway - Acoma
- Portfolio I, Plate 20: Vash Gon-Jicarilla
- Portfolio XVI, Plate 570: Acoma Roadway
- Portfolio I, Plate 21: Chief Garfield-Jicarilla
- Portfolio XVII, Plate 590: Girl and Jar - San Ildefonso
- Portfolio I, Plate 24: A Hilltop Camp-Jicarilla
- Portfolio XVII, Plate 612: Waíhusiwa, A Zuñi Kyáqimâssi
- Portfolio I, Plate 26: A Chief of the Desert-Navaho
- Portfolio II, Plates 40-75
- Portfolio II, Plate 60 / Quniáika-Mohave
- Portfolio II, Plate 61: Mósa-Mohave
- Portfolio III, Plate 86 / A Gray Day in the Bad Lands
- Portfolio IV, Plate 139: Upshaw--Apsaroke
- Portfolio VI, Plate 208: A Piegan Dandy
- Portfolio VI, Plate 186: Painted Lodges--Piegan
- Portfolio VIII, Plates 256- 292
- Portfolio IX, Plate 313: The Mussel Gatherer
- Portfolio XII, Plate 412: The Hopi Maiden
- Portfolio XII, Plate 425: Mishongnovi
- Portfolio XVII, Plate 610: Zuñi Girls at the River
- Portfolio I, Plate 19: The Lost Trail-Apache
- Portfolio I, Plate 22: Jicarilla Maiden
- Portfolio I, Plate 23: Jicarilla Matron
- Portfolio I, Plate 31: Nesjája Hatáli-Navaho
- Portfolio II, Plate 57 / Mohave Chief
- Portfolio VI, Plate 215: Cheyenne Warriors
- Portfolio IX, Plate 308: Puget Sound Type
- Portfolio XII, Plate 411: A Hopi Woman
- Portfolio XVI, Plates 544- 579
- Portfolio XVI, Plate 547: Walvía ("Medicine Root") - Taos
- Portfolio XVII, Plate 591: In the Gray Morning - San Ildefonso
- Portfolio XVII, Plate 594: Washing Wheat - San Juan
- Portfolio XVII, Plate 598: Gossiping - San Juan
- Portfolio XVII, Plates 580- 615
- Portfolio XVI, Plate 568: Acoma Water Carriers
- Portfolio XVI, Plate 571: At the Old Well of Acoma
- Portfolio I, Plate 12: Renegade Type-Apache
- Portfolio I, Plate 38: Sunset in Navaho-Land
- Portfolio I, Plate 5: Alchisé-Apache
- Portfolio IV, Plate 136: In Black Cañon--Apsaroke
- Portfolio VI, Plate 212: Cheyenne Girl
- Portfolio IX, Plate 311: Basket Carrier
- Portfolio XVI, Plate 545: Iahla ("Willow") - Taos
- Portfolio XVI, Plate 566: Acoma from the South
- Portfolio XVI, Plate 567: Old Trail at Acoma
- Portfolio VIII, Plate 257: Yellow Bull - Nez Percé
- Portfolio VIII, Plate 258: Typical Nez Percé
- Portfolio VIII, Plate 262: Nez Percé Warrior
- Portfolio IX, Plates 293- 328
- Portfolio XVII, Plate 585: The Fruit Gatherer - San Ildefonso
- Portfolio I, Plate 3: Desert Rovers-Apache
- Portfolio II, Plate 59: Judith-Mohave
- Portfolio I, Plate 11: Story Telling-Apache
- Portfolio I, Plate 17: An Apache Babe
- Portfolio I, Plate 18: Chideh-Apache
- Portfolio I, Plate 4: Apache-Land
- Portfolio I, Plate 6: Sígesh-Apache
- Portfolio VI, Plate 207: Piegan Encampment
- Portfolio VIII, Plate 264: Lawyer - Nez Percé
- Portfolio IX, Plate 305: Suquamish Woman
- Portfolio I, Plate 10: Getting Water
- Portfolio I, Plate 28: Cañon de Chelly-Navaho
- Portfolio I, Plate 15: Apache Nalin
- Portfolio I, Plate 32: A Son of the Desert - Navaho
- Portfolio XII, Plate 405: Watching the Dancers
- Portfolio I, Plate 34: The Blanket Weaver-Navaho
- Portfolio XVI, Plate 572: An Acoma Woman
- Portfolio VI, Plate 192: Sun Dance Encampment--Piegan
- Portfolio III, Plate 95: In the Land of the Sioux







