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Bottom cover, from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)
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Palm-leaf manuscripts in the <em>pothi </em>format are recognizable by their long and horizontal shapes. In contrast to Western-style books that require one to turn the pages left-to-right or right-to-left, <em>pothi </em>are read by flipping the pages with a vertical motion. The palm-leaf pages would have been bound together by a cord attached to a peg that was run through the two binding holes on the top and bottom covers. The spot for the peg is still visible on the left side of this cover. When not in use, the manuscript would have been wrapped in ribbons and textiles that protected it from dust, moisture, and pests.
| Artist / Maker | Anonymous, Kathmandu |
|---|---|
| Date | Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina) |
| Culture / Origin | Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu |
| Medium | Gum tempera, paper, and colors on wood |
| Dimensions | Overall: 6.5 x 57 x 1.5 cm (2 9/16 x 22 7/16 x 9/16 in.) |
| Department | Indian and Southeast Asian Art |
| Type | Painting |
About the Artist
Provenance & Source
Image & data: Cleveland Museum of Art, CC0 / Public Domain.
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