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Calligraphy in Semi-Cursive Style (xing-caoshu) — Yueshan Daozong

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Written by: Alessandro BennettEditor · Calligraphy (Hat)
Calligraphy (Hat) · Catalogue no. 16045
Yueshan Daozong

Calligraphy in Semi-Cursive Style (xing-caoshu)

StatusReference work · Not for sale
Held byCleveland Museum of Art
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This spontaneous, bold calligraphy style is characteristic of members of the Japanese Ōbaku school (Huangbo in Chinese) of Chan (Zen in Japanese) Buddhism, which was founded in Japan by Chinese monks in the 1600s. The monk Yueshan emigrated to Japan from the Chinese province of Fujian, taking a priestly post at Manpukuji, the headquarters of the Ōbaku school in Japan. He later became the seventh abbot of the distinguished temple.<br><br>Yueshan’s calligraphy features rounded characters that allow him to fuse strokes and characters in speedy brush movements. Here the text begins with the large character <em>chu </em>(初, “the beginning”), the initial focus of meditation on the text: <em>The dragon murmurs after sunset. The tiger roars before dawn.</em>

Artist / MakerYueshan Daozong
Datec. 1660–1709
Culture / OriginChina, Qing dynasty (1644–1911)
MediumHanging scroll; ink on paper
DimensionsImage: 28.6 x 64.1 cm (11 1/4 x 25 1/4 in.); Overall with knobs: 115.6 x 73.8 cm (45 1/2 x 29 1/16 in.)
DepartmentChinese Art
TypeCalligraphy
About the Artist

Yueshan Daozong (Chinese, 1629–1709) Full biography →

Provenance & Source

Image & data: Cleveland Museum of Art, CC0 / Public Domain.

Condition

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