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Cover for a Trophy Cup — Peter Bateman

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Written by: Ingrid KhalilContributing Writer · Furniture & Decorative Arts
Furniture & Decorative Arts · Catalogue no. 10527
Peter Bateman

Cover for a Trophy Cup

StatusReference work · Not for sale
Held byCleveland Museum of Art
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Silver fulfilled a prominent role in projecting wealth, status, power, and ritual in British life during the 1600s and 1700s. Elaborate forms such as the trophy that accompanies this lid, with its swags of flowers, neoclassical rosettes, and acanthus spears, not only represented wealth in its sheer silver weight but also provided royal and aristocratic owners a surface for displaying engraved coats of arms. Engraved on one side of the trophy cup can be found the arms of Robert Grosvenor (1767–1845), the first Marquess of Westminster, and Lady Eleanor Egerton (1770–1846), whom he married in 1794, a year after the trophy’s completion. The other side depicts preparations for a horserace, the most culturally significant leisure activity enjoyed by aristocratic families in the 1700s. Grosvenor owned a number of famous horses and was likely awarded this trophy following a successful race.

Artist / MakerPeter Bateman
Date1792–93
Culture / OriginEngland, 18th century
Mediumsilver gilt
DimensionsOverall: 59.7 x 40 cm (23 1/2 x 15 3/4 in.)
DepartmentDecorative Art and Design
TypeSilver
About the Artist

Peter Bateman, second son of Hester Bateman, bon 1740. Apprenticed to Richard Clarke, husband of his sister Letitia. Married first, Elizabeth Beaver (widow) 1763, and second Sarah - 1776. Lived at 86 Bunhill Row. First mark entered in partnership with Jonathan, 7 December 1790, and six further marks on 9 December. On Jonathan's death entered mark with Ann and William, January 1800. Fourth mark with William, 8 November 1805. Probably retired in 1815 on entry of William Bateman's single mark.… Full biography →

Provenance & Source

Image & data: Cleveland Museum of Art, CC0 / Public Domain.

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