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Cranes and Serpents — China, reportedly from Hunan province, Changsha, Warring States period (475–221 BCE), State of Chu (c. 1046–223 BCE)

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Written by: Kerem ÖzdemirResearcher · Old Master Paintings
Asian Art · Catalogue no. 1800
China, reportedly from Hunan province, Changsha, Warring States period (475–221 BCE), State of Chu (c. 1046–223 BCE)

Cranes and Serpents

StatusReference work · Not for sale
Held byCleveland Museum of Art
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A different style of ritual art developed in the state of Chu in South China. In addition to bronze vessels, lacquered wood artifacts expanded the repertory of ritual implements. <br><br>This extraordinary sculpture was probably a drum stand for supporting a suspended drum in ritual ceremonies. It is unique among other excavated drum stands of the Chu, which typically show two birds standing on tigers. The theme of the bird stepping on the serpent was common in the Chu visual culture. Yet the slender proportions and seemingly flimsy structure of this particular set raise the question of whether it was utilitarian or mostly served symbolic functions in the tomb. <br><br>The birds' and serpents' bodies have designs painted in red lacquer and yellow pigment against the black lacquer. Scientific analyses confirm the additional use of a blue or green pigment that has been discolored over time.

Artist / MakerChina, reportedly from Hunan province, Changsha, Warring States period (475–221 BCE), State of Chu (c. 1046–223 BCE)
Date475–221 BCE
Culture / OriginChina, reportedly from Hunan province, Changsha, Warring States period (475–221 BCE), State of Chu (c. 1046–223 BCE)
Mediumlacquered wood with polychromy
DimensionsOverall: 132.1 x 124.5 cm (52 x 49 in.)
DepartmentChinese Art
TypeSculpture
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Image & data: Cleveland Museum of Art, CC0 / Public Domain.

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