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God of Thunder (Raijin) — Tawaraya Sōtatsu

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Written by: Gül EkinciResearcher · Asian Art
Asian Art · Catalogue no. 31506
Tawaraya Sōtatsu

God of Thunder (Raijin)

StatusReference work · Not for sale
Held byCleveland Museum of Art
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Such depictions of the God of Thunder originated in Buddhist art. Here, the image was painted on paper covered with gold dust, a technique often found in paintings by Tawaraya Sotatsu or of the Sotatsu school. This gold technique and the "Inen" seal here suggest that the anonymous painter of this screen was probably associated with the Sotatsu workshop. The artist used a prototype borrowed from earlier Japanese narrative painting—rather than mechanically reproducing Sotatsu’s image—and created a bold, innovative image that served the world of play and leisure in early Edo Japan. <br><br>The theme of "God of Thunder" was often paired with "God of Wind" and has been frequently reinterpreted by generations of Rimpa artists. Unfortunately, the screen God of Wind which would have accompanied this God of Thunder cannot be located.

Artist / MakerTawaraya Sōtatsu
Datemid-1600s
Culture / OriginJapan, Edo period (1615–1868)
Mediumsix-panel folding screen; ink, color, and gold on paper
DimensionsImage: 150.4 x 343 cm (59 3/16 x 135 1/16 in.); Overall: 162.4 x 355.8 cm (63 15/16 x 140 1/16 in.); Panel: 162.4 x 59.2 cm (63 15/16 x 23 5/16 in.); with frame: 165.6 x 358.6 cm (65 3/16 x 141 3/16 in.)
DepartmentJapanese Art
TypePainting
About the Artist

Tawaraya Sōtatsu (Japanese, c. 1570–c. 1640) Full biography →

Provenance & Source

Image & data: Cleveland Museum of Art, CC0 / Public Domain.

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