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Hampstead Heath, Looking Toward Harrow
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Constable was interested in the changing light effects of weather and often worked outdoors, making swift oil sketches on paper. He focused on painting the countryside of his native England, which he never left. He wrote to a fellow artist that he would “rather be a poor man [in England] than a rich man abroad.”
| Artist / Maker | John Constable |
|---|---|
| Date | c. 1821 |
| Culture / Origin | England, 19th century |
| Medium | oil on paper, mounted on canvas |
| Dimensions | Framed: 39 x 44.5 x 5 cm (15 3/8 x 17 1/2 x 1 15/16 in.); Unframed: 25.9 x 31.3 cm (10 3/16 x 12 5/16 in.) |
| Department | Modern European Painting and Sculpture |
| Type | Painting |
About the Artist
With Turner (q.v.), his exact contemporary, John Constable defined the parameters of genius for a generation of romantic landscape painters. The son of a prosperous miller and gentleman farmer, he entered into his profession late and was basically self-taught. Between 1796 and 1799 Constable had the advice of several artists and connoisseurs influential in the London art scene, primarily that of Sir George Beaumont (1753-1827), John Thomas Smith (1766-1833), and Joseph Farington (1747-1821). With the grudging consent of his parents,… Full biography →
Provenance & Source
Image & data: Cleveland Museum of Art, CC0 / Public Domain.
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