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Idiophone/Staff (ahianmwẹn-ọrọ)
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Courtiers, priests, and senior chiefs strike instruments like this during the Ugie Ọrọ festival. The long-legged metal bird refers to the 16th-century ruler Ọba Ẹsigie. Wings outstretched with long, textured feathers, it is the <em>ahianmwẹn-ọrọ</em> (bird of prophecy). It stares outward, a likely magical substance clenched in its beak. Such a bird prophesied Ẹsigie’s defeat and death during the Idah War (about 1515–17), leading his people to resist fighting for him. When Ẹsigie triumphed, bronze bird effigies were beaten for days on end throughout the year. This punished the false avian prophet and shamed the cowardly men.
| Artist / Maker | Anonymous, members of the Igun Eronmwon (royal brasscasters) guild |
|---|---|
| Date | possibly 1800s |
| Culture / Origin | Nigeria, Benin Kingdom, Ẹdo peoples, members of the Igun Eronmwon (royal brasscasters) guild |
| Medium | Copper alloy |
| Dimensions | Overall: 36.2 x 9.9 cm (14 1/4 x 3 7/8 in.) |
| Department | African Art |
| Type | Sculpture |
About the Artist
Provenance & Source
Image & data: Cleveland Museum of Art, CC0 / Public Domain.
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