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Madame Lerolle
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The floral still life of roses enlivens the otherwise restrained palette used by the artist in this portrait. By the time he painted Madeleine Escudier Lerolle (1856–1937), wife of artist Henry Lerolle, the French artist Henri Fantin-Latour had established a steady clientele in Britain for his floral still lifes, arranged in modest vases and depicted against a neutral ground; he included such a still life in this portrait. Madeleine Lerolle and her daughter Yvonne are the subjects of another painting at the CMA by Albert Besnard in gallery 219.
| Artist / Maker | Henri Fantin-Latour |
|---|---|
| Date | 1882 |
| Culture / Origin | France, 19th century |
| Medium | oil on fabric |
| Dimensions | Framed: 132.4 x 103.5 x 8.3 cm (52 1/8 x 40 3/4 x 3 1/4 in.); Unframed: 108.2 x 78.9 cm (42 5/8 x 31 1/16 in.) |
| Department | Modern European Painting and Sculpture |
| Type | Painting |
About the Artist
At the age of ten, Henri Fantin-Latour began painting with his father, Théodore Fantin-Latour (1805-1875). In 1850 he left Grenoble and moved to Paris to study under Horace Lecoq de Boisbaudran (1802-1897), an innovative and nontraditional instructor who developed and published his own unique teaching method based on painting and drawing from memory. Fantin studied with him for six years and then attended the École des Beaux-Arts for less than a year in 1854. Encouraged by J. A. M. Whistler… Full biography →
Provenance & Source
Image & data: Cleveland Museum of Art, CC0 / Public Domain.
Condition
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