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Sheath for ritual conch shell — Cambodia, Khmer, Angkor period

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Written by: Umut ÇelikResearcher · Old Master Paintings
Asian Art · Catalogue no. 36334
Cambodia, Khmer, Angkor period

Sheath for ritual conch shell

StatusReference work · Not for sale
Held byCleveland Museum of Art
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A royal temple like Banteay Chhmar was built for performing rituals and to honor images of gods, Buddhas, and other sacred or enlightened beings for the sake of the kingdom’s protection and ongoing prosperity. Conch shells were blown at the start of rituals to make the sound corresponding to the syllable <em>om</em>. <br><br>The dancing figure of Hevajra, a Buddhist being of enlightenment with eight heads, sixteen arms, and four legs, has been worked into the bronze embellishment of the shell. Hevajra was elevated to a prominent position in Khmer Buddhism of the Angkorian period as the standard figure denoting the practice of rituals prescribed in a text called the <em>Hevajra-tantra</em>. The tripod stand with three serpents is probably not original to the shell.

Artist / MakerCambodia, Khmer, Angkor period
Date1100s
Culture / OriginCambodia, Khmer, Angkor period
Mediumshell and bronze
DimensionsOverall: 35 cm (13 3/4 in.)
DepartmentIndian and Southeast Asian Art
TypeSculpture
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Image & data: Cleveland Museum of Art, CC0 / Public Domain.

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