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Simeon Kneels in Front of Mary and Jesus after Recognizing Them (folio 40 recto), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier
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Simeon had heard a prophecy that he would encounter the Messiah with his mother in the temple at Jerusalem. This painting depicts his moment of recognition that the prophecy had come true. The temple is populated by Jewish teachers and scholars, and a number of unusual visual elements. A dragon-headed vase is set by the stairs, and niches for vases flank the entrance, possibly in reference to Mary’s status as a vessel for the divine. The form of the temple itself seems to be an imaginative combination of Hindu temple architecture and a Mughal palace.
| Artist / Maker | Anonymous, made for Prince Salim (1569–1627) |
|---|---|
| Date | 1602–4 |
| Culture / Origin | Mughal India, Allahabad, made for Prince Salim (1569–1627) |
| Medium | Gum tempera, ink, and gold on paper |
| Dimensions | Sheet: 26.2 x 15.7 cm (10 5/16 x 6 3/16 in.); Image: 21.4 x 12.6 cm (8 7/16 x 4 15/16 in.) |
| Department | Indian and Southeast Asian Art |
| Type | Manuscript |
About the Artist
Provenance & Source
Image & data: Cleveland Museum of Art, CC0 / Public Domain.
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Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier