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Simeon Kneels in Front of Mary and Jesus after Recognizing Them (folio 40 recto), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier — Anonymous, made for Prince Salim (1569–1627)

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Written by: Lucas SatoSenior Specialist · Illumination (Tezhip)
Illumination (Tezhip) · Catalogue no. 15582
Anonymous, made for Prince Salim (1569–1627)

Simeon Kneels in Front of Mary and Jesus after Recognizing Them (folio 40 recto), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier

StatusReference work · Not for sale
Held byCleveland Museum of Art
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Simeon had heard a prophecy that he would encounter the Messiah with his mother in the temple at Jerusalem. This painting depicts his moment of recognition that the prophecy had come true. The temple is populated by Jewish teachers and scholars, and a number of unusual visual elements. A dragon-headed vase is set by the stairs, and niches for vases flank the entrance, possibly in reference to Mary’s status as a vessel for the divine. The form of the temple itself seems to be an imaginative combination of Hindu temple architecture and a Mughal palace.

Artist / MakerAnonymous, made for Prince Salim (1569–1627)
Date1602–4
Culture / OriginMughal India, Allahabad, made for Prince Salim (1569–1627)
MediumGum tempera, ink, and gold on paper
DimensionsSheet: 26.2 x 15.7 cm (10 5/16 x 6 3/16 in.); Image: 21.4 x 12.6 cm (8 7/16 x 4 15/16 in.)
DepartmentIndian and Southeast Asian Art
TypeManuscript
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Provenance & Source

Image & data: Cleveland Museum of Art, CC0 / Public Domain.

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