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The Coral Necklace
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Closely associated with the Pre-Raphaelite Brotherhood, Frederick Sandys was a friend of Dante Gabriel Rossetti and played an active role in the bohemian artistic, literary, and theatrical circles of the day in London. This is a portrait of Mary Emma Jones, the artist’s favorite model, mistress, and mother of his nine children. An extraordinarily skilled draftsman, here he worked in tone rather than line, delicately drawing in chalk on a rough textured sheet and leaving the low points of the paper untouched to produce a stippled, hazy effect.
| Artist / Maker | Frederick Sandys |
|---|---|
| Date | 1871 |
| Culture / Origin | England, 19th century |
| Medium | black, brown, and red chalk |
| Dimensions | Sheet: 55.9 x 39.2 cm (22 x 15 7/16 in.); Secondary Support: 57.1 x 40 cm (22 1/2 x 15 3/4 in.) |
| Department | Drawings |
| Type | Drawing |
About the Artist
Frederick Sandys received his initial training from his father, a minor Norwich artist. Encouraged by Rev. James Bulwer (1820-1899), a pupil and patron of John Sell Cotman (1782-1842), he attended the Norwich School of Design from 1846. When he arrived in London five years later, he was already a skilled illustrator. Through a family connection, Sandys was introduced to George Richmond (1809-1896), one of the century's most accomplished portraitists. From Richmond he acquired the skills and taste for life-size chalk… Full biography →
Provenance & Source
Image & data: Cleveland Museum of Art, CC0 / Public Domain.
Condition
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