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The Presentation in the Temple
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Late in his career, François Boucher adopted a drawing style characterized by strong pen lines and loosely brushed washes. This sheet, which dates from that period, depicts the blind priest Simeon, at left, who was promised that he would see the Messiah before his death. When the Christ child was brought into the temple near him, Simeon regained his sight. Boucher emphasized the miraculous event by showing divine light streaming down onto the priest from the dove above, which represents the Holy Spirit. The drawing is similar to an oil sketch (Louvre, Paris) that Boucher completed during the last year of his life -- one of the very last projects he ever completed.
| Artist / Maker | François Boucher |
|---|---|
| Date | c. 1770 |
| Culture / Origin | France |
| Medium | pen and brown ink, brush and brown wash, and black chalk, heightened with white paint; framing lines in pen and brown ink |
| Dimensions | Sheet: 32.3 x 20 cm (12 11/16 x 7 7/8 in.); Framed: 66 x 50.9 x 6.4 cm (26 x 20 1/16 x 2 1/2 in.) |
| Department | Drawings |
| Type | Drawing |
About the Artist
French Rococo artist who epitomizes the frivolous and elegant court life of France in the mid-18th century. During his early career he was closely associated with Watteau, many of whose paintings he engraved. Boucher was a successful and incredibly prolific artistic who had a major impact on both fine and decorative art of the 18th century. He is particularly noted for having reinvented the genre of the pastoral, creating images of shepherds and shepherdesses as sentimental lovers that was taken… Full biography →
Provenance & Source
Image & data: Cleveland Museum of Art, CC0 / Public Domain.
Condition
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