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Tunic with Profile Animals and Checkerboards — Peru, South Coast, Paracas or Nasca?

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Written by: Isabella De LucaContributing Writer · Furniture & Decorative Arts
Carpets & Textiles · Catalogue no. 32108
Peru, South Coast, Paracas or Nasca?

Tunic with Profile Animals and Checkerboards

StatusReference work · Not for sale
Held byCleveland Museum of Art
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The imagery in the central field of this unique tunic—animals with long tails and three-toed feet—seems to have been created by painting a slurry-like material on the pale areas to protect them when the fabric was immersed in a bath that turned other areas light brown. Then the slurry was removed, revealing the pattern. The checkerboard areas at the sides, on the other hand, are woven with brown and cream-colored yarns. Specialists puzzle over the origins of the tunic, some attributing it to the Paracas (700 BCE–1 CE) and others to the Nasca (100 BCE–650 CE), who sprang from Paracas roots.

Artist / MakerPeru, South Coast, Paracas or Nasca?
Date410–540 CE (radiocarbon date, 93% probability)
Culture / OriginPeru, South Coast, Paracas or Nasca?
Mediumcotton; dye-patterned plain weave
DimensionsOverall: 72.4 x 104.1 cm (28 1/2 x 41 in.)
DepartmentTextiles
TypeTextile
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Provenance & Source

Image & data: Cleveland Museum of Art, CC0 / Public Domain.

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