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Violet and Columbine
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Morris envisioned textiles such as <em>Violet and Columbine</em> hanging in heavy folds, the rich colors and flowing pattern suggesting a garden wall. He strongly preferred experimenting with natural dyes instead of using the garish chemical ones that had become standard in industrialized England. Even though organic dyes were expensive and scarce, and required dyers to revive old methods, they were less likely to fade in the light or during washing, and they were capable of producing more subtle tonal effects. A sense of the process of hand-weaving can be understood by looking at the back of this textile. The warp (up and down) threads are light blue and green—visible at the bottom. The textile was woven in long lengths that could be cut at these passages of loose thread. The weft (side to side) threads in several colors, including red, pink, yellow, and blue, are more visible from the back than the front, where they disappear into the pattern.
| Artist / Maker | William Morris |
|---|---|
| Date | 1883 |
| Culture / Origin | England, Surrey, Merton Abbey |
| Medium | jacquard loom woven weft-faced twill, double cloth; wool and mohair |
| Dimensions | Overall: 122.6 x 180.7 cm (48 1/4 x 71 1/8 in.) |
| Department | Textiles |
| Type | Textile |
About the Artist
BiographyWilliam Morris (1834–1896) — Textile designer, artist, writer, printer (1834–1896).William Morris worked as architect, poet, designer, graphic designer and painter and is associated with United Kingdom of Great Britain and Ireland and United Kingdom. Their documented life spans the years 1834 to 1896, born in Walthamstow, died in London. Their work is linked to Arts and Crafts movement, Symbolism.Disciplinesarchitect, poet, designer, graphic designer, painterBorn1834, WalthamstowDied1896, LondonNationalityUnited Kingdom of Great Britain and Ireland, United KingdomMovementArts and Crafts movement, SymbolismSources: Wikidata ·… Full biography →
Provenance & Source
Image & data: Cleveland Museum of Art, CC0 / Public Domain.
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