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Edgar Degas's series of monotypes depicting brothels depicted a hidden aspect of Parisian life. Degas's interest in the subject paralleled the theme of the prostitute in naturalist novels of the era by Emile Zola and Edmond and Jules de Goncourt, and echoed the then-contemporary debate about the regulation—or abolition—of prostitution in Paris. In this print, three women await their clients under a luminous globed chandelier. A standing figure reaches out her left arm as if to beckon an unseen visitor.
| Artist / Maker | Edgar Degas |
|---|---|
| Date | c. 1880s |
| Culture / Origin | France, 19th century |
| Medium | monotype |
| Dimensions | Sheet: 24.5 x 18.8 cm (9 5/8 x 7 3/8 in.); Image: 11.9 x 16 cm (4 11/16 x 6 5/16 in.) |
| Department | Prints |
| Type |
About the Artist
Son of a Parisian banker, Edgar Degas enrolled in law school in 1853 following his father's wishes. But he had already shown an interest in art and had also registered to copy at the Louvre. In 1855 he entered the École des Beaux-Arts and became a student of Louis Lamothe (1822-1869), a former pupil of Ingres (q.v.). One year later Degas made the traditional journey to Italy, remaining there for three years. He visited family members in Naples and Florence… Full biography →
Provenance & Source
Image & data: Cleveland Museum of Art, CC0 / Public Domain.
Condition
A detailed condition report and high-resolution photography are available from our specialists in advance of the sale.
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