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Pair of naga finials
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When members of the royal family or priesthood traveled in a public festival procession or to a temple to make offerings or participate in a ceremony, they would be carried in a palanquin, or a covered litter. Portable objects of veneration, such as bronze images or a sacred fire, were also carried on palanquins. The palanquins had wooden poles, hanging seats or raised platforms, and bronze fittings cast in intricate forms and gilt, lending the palanquins a sumptuous quality.<br><br>The royal palanquins were typically fitted with multiheaded, serpent-shaped finials at the ends of the poles and corners of the elevated platforms. <br><br><em>Naga</em> means serpent in Sanskrit, a language from India selectively appropriated by the Khmer in Cambodia. In their own indigenous mythology, the Khmer people trace their descent from a naga princess and a prince from the island of Java who journeyed to Cambodia. The naga remains a potent emblem for the Khmer nation to this day; it is ubiquitous on Cambodian monuments.
| Artist / Maker | Cambodia, probably Angkor |
|---|---|
| Date | 1100s |
| Culture / Origin | Cambodia, probably Angkor |
| Medium | bronze |
| Dimensions | Overall: 29.2 x 15.2 x 15.2 cm (11 1/2 x 6 x 6 in.) |
| Department | Indian and Southeast Asian Art |
| Type | Metalwork |
About the Artist
Provenance & Source
Image & data: Cleveland Museum of Art, CC0 / Public Domain.
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