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Palanquin Hook
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When members of the royal family or priesthood traveled in a public festival procession or to a temple to make offerings or participate in a ceremony, they would be carried in a palanquin, or a covered litter. Portable objects of veneration, such as bronze images or a sacred fire, were also carried on palanquins. The palanquins had wooden poles, hanging seats or raised platforms, and bronze fittings cast in intricate forms and gilt, lending the palanquins a sumptuous quality. <br><br>This hook once supported a bronze ring from which hung a seat, like a hammock or swing. A wooden pole would have passed through the hollow socket at the top and was carried on the shoulders of bearers. <br><br>The hook segment ends in the face of a <em>garuda</em>, a man-eagle with a prominent beak, stylized wings, and feathers. Figures indicative of devotion and success, including pairs of elephants, crown the fitting.
| Artist / Maker | Cambodia, probably Angkor |
|---|---|
| Date | 1175–1230 |
| Culture / Origin | Cambodia, probably Angkor |
| Medium | bronze |
| Dimensions | Overall: 17.4 cm (6 7/8 in.) |
| Department | Indian and Southeast Asian Art |
| Type | Sculpture |
About the Artist
Provenance & Source
Image & data: Cleveland Museum of Art, CC0 / Public Domain.
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