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Palanquin Ring
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When members of the royal family or priesthood traveled in a public festival procession to make offerings at a temple or participate in a ceremony, they would be carried in a palanquin, or a covered litter. Portable objects of veneration, such as bronze images or a sacred fire, were also carried on palanquins. The palanquins had wooden poles, hanging seats or raised platforms, and bronze fittings cast in intricate forms and gilt, lending the palanquins a sumptuous quality. <br><br>This ring, which supported a suspended seat, would have hung on a hook attached to a wooden pole. <br><br>The body of the ring is shaped in the form of a pair of <em>nagas</em>, or serpents. The flanges, or protrusions, on the top and sides are stylized spines of the serpent’s body, and the heads rear up on either side. In a richly textured cluster of separately cast figures on both sides of the ring are images of composite bird-human, monkey-human, and elephant forms.
| Artist / Maker | Cambodia, probably Angkor |
|---|---|
| Date | 1100s–1200s |
| Culture / Origin | Cambodia, probably Angkor |
| Medium | bronze |
| Dimensions | Overall: 24.1 x 23 x 6.5 cm (9 1/2 x 9 1/16 x 2 9/16 in.) |
| Department | Indian and Southeast Asian Art |
| Type | Sculpture |
About the Artist
Provenance & Source
Image & data: Cleveland Museum of Art, CC0 / Public Domain.
Condition
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